Download urban slay10/15/2023 University of Massachusetts Press, 1993, pp 19-38. “Camp and the Gay Sensibility.” Camp Grounds: Style and Homosexuality. “Beyoncé Opens Up to Gay Fans.” PrideSource, 21 Jul. Search in Google ScholarĪzzopardi, Chris. “NUS Women Conference: ‘Gay White Men Should Stop Appropriating Black Women.’” Inquisitr, 26 Mar. This article, thus, traces black queer traditions and discourses in the artist’s praxis of black camp.Īpple, Dawn. More specifically, since Beyonce plays with tropes and themes that are common in camp culture, her performance relies on a meta-camping effect that interacts with African-American queer culture. By examining video and live performances, the scope of this article is to underline those queer nuances inherent in Beyonce’s dramatisation of black femininity and the cultural pool she draws from for its effective staging. While cultural theory around the icon of Beyonce has focused on her feminist and racial politics as well as her politicization of the black female body, a queer reading applied from the perspective of camp performance will concentrate on the artist’s queer appeal and, most importantly, on her exposition of black camp, an intersection of feminist, racial and queer poetics. Beyonce’s stage persona and performances invite multiple ideological readings as to what pertains to her interpretation of gender, sexuality, and race. This article pays attention to African-American artist Beyonce Knowles and her performance of black camp.
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